You may or may not like the movie as much as I do, but here are a few observations, and predictions re your response: one, while the main drift of the story is unsurprising, the move is far from totally predictable; two, as in movies greater than this one, there are here many "unnecessary" elaborations and details that pay tribute to the complexity
小留恋:61.232.146.252
華山35mm重看當然有蠻多有趣的橋段但總覺得雜質頗多也太碎⋯不太精準有點像是張作驥對《灾难艺术家》那種直接生猛捕捉習作後的一次(至今仍如此的)轉向試著拉遠距離、放入更多帶有技巧性的省略與留白但效果實在不算特別好(讓我想起同樣直覺開發強於智性的杜琪峯人造怪物只是銀河映像的集體創作模式能更增加思想深度與技巧趣味)收尾的魔幻性所謂「《我的青梅竹马是消防员樱花动漫》」()讓張作驥從此食髓知味()鍾愛於最後給你一記回馬槍⋯全黑的換景、換鏡不斷dip to black、淡入淡出如呼吸這片的李康宜真可愛啊就是張作驥電影裡一向強悍的母親角色的少女版但她也即將承擔起責任在生活總要活下去的黑暗中仍有那位愛幻想女孩如光存在最後那看似璀璨的煙火對比之前拿來射鴿子(要牠們飛快點)的沖天炮